Day: 29 July 2025

Queen Victoria Museum and Art Gallery: Helen Wright

Helen Wright is the subject of an exciting exhibition at The Queen Victoria Museum and Art Gallery (QVMAG) opening in August. Presented by QVMAG and the City of Launceston Shapeshifting: The Art of Helen Wright celebrates one of Tasmania’s most enduringly vital and visionary artists.

Spanning over four decades of the artist’s practice, Shapeshifting features painting, drawing, printmaking and sculpture by Helen Wright, who works across a number of mediums and scales.

At once intimate and expansive, Helen Wright’s art resists containment and rewards our own deeper interrogations. Shapeshifting is a testament to Wright’s enduring contribution to Australian art, and to the power of art as both container for ideas and catalyst for change. Courtesy of QVMAG.

This exciting exhibition is accompanied by a short-run, bespoke publication, available now for pre-order with delivery in late-August. Further information below.

Shapeshifting: The Art of Helen Wright
Art Gallery at Royal Park, Launceston, TAS
23 August – 30 November 2025

SHAPESHIFTING: Helen Wright features 92 illustrated works completed over four decades, from early small mono lithographs, large pastel, charcoal, graphite and coloured pencil drawings, watercolour and pearlescent oil paintings through to sculptures cast in resin, bronze and concrete. Written texts include a Foreword by artist and lead curator at Queen Victoria Museum and Art Gallery, Dr Kellie Wells, an essay titled ‘A Curious Gaze’ by arts writer and broadcaster Courtney Kidd and an Afterword from Helen herself that reflects on her ‘shapeshifting’ career.

Size: 280mm [high] × 220mm [wide]
Binding: section sewn, hard case (Wibalin), debossed pattern and titling with two foils
Printing: Full colour throughout, plus special PMS 5th colour
Extent: 116 pages on 157gsm Elemental Chlorine Free (EFC) coated paper stock

Proceeds from the sale of SHAPESHIFTING : Helen Wright will be used to provide an artist’s royalty to support Helen’s art practice and to fund future art-based projects that intersect with environment and/or social justice issues through OUTSIDE THE BOX / Earth Arts Rights.

$75

Telstra NATSIAA Award: Elizabeth Mbitjana Pitijana

Congratulations Elizabeth Mbitjana Pitijana, finalist in the 2025 Telstra National Aboriginal and Torres Strait Islander Art Awards Finalist. Her work is currently showing in the finalist exhibition at Museum and Art Gallery Northern Territory, Darwin.

Anmatyerr artist Elizabeth Mbitjana Pitijana was born in 1970 in the Urapuntja (Utopia) region of the Northern Territory, northeast of Alice Springs. Her painting journey started from a young age, inspired by her family’s dreaming story of Arnwekety (bush plum). Encouraged by notable family members including her mother Kathleen Ngale, her father Motorbike Paddy Ngale, and her aunts Angelina Pwerle (Ngale) and Polly Ngale, Elizabeth draws on traditional techniques, with the development of her own distinctive style of white mark making upon stark black backgrounds. She subtly incorporates tones of red, yellow, and orange to represent the Arnwekety story. The story of Arnwekety has been passed on and continues in Elizabeth’s paintings today. 

2025 Telstra NATSIAA
Museum and Art Gallery Northern Territory, Darwin
until 26 January 2026

Deakin University Small Sculpture Award: Euan Heng & Steven Rendall

Congratulations Euan Heng and Steven Rendall – finalists in the Deakin University Small Sculpture Award 2025. In its sixteenth year, this annual acquisitive award and exhibition is organised by the Art Collection and Galleries Unit at Deakin University. The award celebrates contemporary sculpture with an exhibition of finalists’ work at the Deakin University Art Gallery.

Deakin University Small Sculpture Award 2025
Deakin University Art Gallery, Melbourne
27 August – 10 October 2025

The Potter: Mabel Juli & Julie Dowling

The Potter Museum of Art (The Potter) has now reopened after an extensive redevelopment with the landmark exhibition 65,000 Years: A Short History of Australian Artfeaturing works by Mabel Juli and Julie Dowling. The exhibition is curated by Associate Provost and Distinguished Professor Marcia Langton AO, Senior Curator Judith Ryan AM, and Associate Curator Shanysa McConville—in consultation with Aboriginal and Torres Strait Islander artists and custodians of art traditions.

65,000 Years: A Short History of Australian Art celebrates the significance and brilliance of Aboriginal and Torres Strait Islander art created from time immemorial and throughout Australia’s colonial history and beyond into the twenty-first century. The artistic and design traditions that began 65,000 years ago and thrived despite the disasters that befell the first peoples after 1788 remain the distinctive and unique creations of this country.

65,000 Years: A Short History of Australian Art
The Potter Museum of Art (The Potter), The University of Melbourne, Parkville
until 22 November 2025

Julie Dowling: ARTIST PROFILE

In addition to 65,000 Years: A Short History of Australian Art at The Potter Museum, Julie Dowling‘s work is currently showing in Ever Present: First Peoples Art of Australia at the National Gallery of Australia, Lines in the Sand: Women from the West at Lawrence Wilson Art Gallery and Balancing Act at Art Gallery of Western Australia, Perth.

65,000 Years: A Short History of Australian Art
The Potter Museum of Art (The Potter), The University of Melbourne, Parkville
until 22 November 2025

Ever Present: First Peoples Art of Australia
National Gallery of Australia, Canberra
until 24 August 2025

Lines in the Sand: Women from the West
Lawrence Wilson Art Gallery, University of Western Australia, Perth
until 30 August 2025

Balancing Act
Art Gallery of Western Australia, Perth
ongoing

Griffith University Art Museum: Fiona Foley & Ken Whisson

Contributing to Griffith University’s 50th anniversary celebrations this year, Griffith University Museum of Art presents the exhibition Collecting the Future: 50 Years of the Griffith University Art Collection. The exhibition of over 190 works, including examples by Fiona Foley and Ken Whisson highlights significant acquisitions and donations made over the last five decades and includes key collecting areas: early video art, political posters, painting, contemporary Australian Indigenous art, and contemporary photography.

Collecting the Future: 50 years of the Griffith University Art Collection
Griffith University Art Museum, South Brisbane
until 16 August 2025

Brenda L. Croft: ARTIST SPOTLIGHT

Brenda L. Croft‘s series Naabámi (thou shall/will see): Barangaroo (army of me) is currently showing in On Country: Photography from Australia at the prestigious festival Les Rencontres de la Photographie in Arles, France. This major exhibition is curated by PHOTO Australia’s Pippa Milne and Brendan McCleary and highlights the work of twenty Australian artists.

Croft’s important series Naabámi (thou shall/will see): Barangaroo (army of me) features portraits derived from tintypes, then printed large-scale of contemporary Australian First Nations women and girls, honouring Barangaroo, the Cammeraygal woman known for her staunch position as an unceded sovereign First Nations woman during first settler-colonial contact. Read more in The Guardian here.

In addition, Brenda L. Croft’s work is included in Protest is a creative act at Museum of Australian Photography, Melbourne.

Protest is a creative act brings together work of Australian women artists that calls out inequality and seeks to disrupt the status quo. Coinciding with the 50th anniversary of the UN-declared International Women’s Year (1975), the exhibition charts the relationship between art, protest and social change over that 50-year period, while also showing that taking a stand means more than waving a placard at a protest rally. Courtesy of Museum of Australian Photography.

On Country: Photography from Australia
Les Rencontres de la Photographie, Arles, France
until 5 October 2025

Protest is a creative act
Museum of Australian Photography, Melbourne
until 31 August 2025

Fiona Foley: ARTIST SPOTLIGHT

In addition to Collecting the Future: 50 Years of the Griffith University Art Collection, Fiona Foley‘s work features in the exhibition Taking Back Language at Bundoora Homestead Art Centre. Curated by Sarah Werkmeister and Katie Ryan, Taking Back Language showcases a selection of works by acclaimed Aboriginal artists who engage with text to reclaim language.

Collecting the Future: 50 years of the Griffith University Art Collection
Griffith University Art Museum, South Brisbane
until 16 August 2025

Taking Back Language
Bundoora Homestead Art Centre, Melbourne
until 4 Oct 2025

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