Dale Hickey‘s work appears alongside Steven Rendall‘s in the current exhibition Working Title: Studio Practice in the RMIT Art Collection at RMIT Gallery. Curated by Lisa Linton, the exhibition draws from the RMIT Art Collection to reveal notable academics, alumni, methods and collaborations and the rich history of studio practice at RMIT.
Congratulations Travis MacDonald on being shortlisted, alongside Ebony Truscott, Euan Heng & Steven Rendall for the 2024 Geelong Contemporary Art Prize. The official recipient announcement will be made on Friday 9 August. and an exhibition of the finalists’ works will open at Geelong Gallery on Saturday, 10 August.
Sangeeta Sandrasegar‘s newly commissioned work Yellow deep that drew your eyesis currently showing at RACV ArtHouse, located on site at RACV Goldfields Resort. Sandrasegar’s latest work utilises botanical materials from the Creswick region, reflecting region’s history.
Sangeeta Sandrasegar is currently undertaking a residency at DESA in Indonesia and has been awarded the 2024 visual residency at Monash University Prato Centrein Italy.
An in-depth article about Ebony Truscott features in the current issue of Artist Profile. Roslyn Orlando met with Truscott earlier in the year and writes that “Ironically, the process of rendering emotive qualities in her work involves a measured, careful objectivity”. Pick up a copy here.
In addition, Ebony Truscott has been shortlisted for the 2024 Geelong Contemporary Art Prize. The official recipient announcement will be made on Friday 9 August. and an exhibition of the finalists’ works will open at Geelong Gallery on Saturday, 10 August.
Noel McKenna is the winner of The Darling Portrait Prize and a finalist in the Sir John Sulman Prize and The Wynne Prize. His painting William Nuttall with horses in field is now showing in The Darling Portrait Prizeexhibition at the National Portrait Gallery, Canberra and his paintings Nun at piano,Brisbane 1966 and Cape Pillar, Tasman Sea, are showing in the Archibald, Wynne and Sulman Prizes 2024 at the Art Gallery of New South Wales.
Curated by Melissa Keys, Hair Pieces at Heide Musem of Modern Art explores the complex significance of hair in contemporary culture through work by international and Australian Artists. Helen Wright‘s work features alongside Polly Borland (US), Jim Dine (US), Lou Hubbard (AUS), Patricia Piccinini (AUS), Christian Thompson (AUS), Ai Yamaguchi (JPN) and Louise Weaver (AUS) and more.
Euan Heng has been shortlisted for the 2024 Geelong Contemporary Art Prize. The official recipient announcement will be made on Friday 9 August. and an exhibition of the finalists’ works will open at Geelong Gallery on Saturday, 10 August.
In addition, Euan Heng’s work is currently showing in the group exhibition The End of History at Lawrence Wilson Gallery, University of Western Australia. The End of History explores artists’ relationship to history, as it’s made. At its centre is a group of works from the University of Western Australia Art Collection made between 1985 and 1995, united by mood and motif.
Steven Rendall has been shortlisted for the 2024 Geelong Contemporary Art Prize. The official recipient announcement will be made on Friday 9 August. and an exhibition of the finalists’ works will open at Geelong Gallery on Saturday, 10 August.
In addition, Steven Rendall‘s work features alongside Dale Hickey‘s in the current exhibition Working Title: Studio Practice in the RMIT Art Collection at RMIT Gallery. Curated by Lisa Linton, the exhibition draws from the RMIT Art Collection to reveal notable academics, alumni, methods and collaborations and the rich history of studio practice at RMIT.
Dianne Jones‘ work is currently showing in two exhibitions at The Art Gallery of Western Austalia. The experiential exhibition Forecast invites audiences of all ages and abilities to pause, listen, feel, and connect with the world around us. AGWA’s Head of Learning and Creativity Research and the exhibition curator Lilly Blue, stated that “Forecast is about making connections with each other and our environment. It is about storytelling and sharing. It is a place to feel and reflect, and to be together.” The exhibition presents larger-than-life collaborative photomontage works by Dianne Jones and Eva Fernandez and explores First Nations understandings of environment as family, inviting reflection and deepening connection with our changing world.
Balancing Act features Aboriginal and Torres Strait Islander works of art from the State Art Collection including two works from Dianne Jones’s 2017 series, The Grand Tour.
Euan Macleod‘s work features in Low Tides, the current exhibition at RACV’s Melbourne City Gallery Lounge. The exhibition explores the contemplative nature of water and includes new work by RACV Collection artists.
Euan Macleod: Flux, an Orange Regional Gallery and ANU Drill Hall Gallery partnership exhibition will opn at the Drill Hall Gallery in September. The exhibition features a series of en plein air paintingsEuan Macleod made on Haupapa Tasman Glacier in New Zealand’s South Island, alongside large scale paintings completed upon his return to his studio. Read Steve Lopes’ review of Euan Macleod: Flux in Artist Profilehere.