Martin Parr

Martin Parr is a chronicler of our age. In the face of the constantly growing flood of images released by the media, his photographs offer us the opportunity to see the world from his unique perspective.

At first glance, his photographs seem exaggerated or even grotesque. The motifs he chooses are strange, the colours are garish and the perspectives are unusual. Parr’s term for the overwhelming power of published images is “propaganda”. He counters this propaganda with his own chosen weapons: criticism, seduction and humour. As a result, his photographs are original and entertaining, accessible and understandable. But at the same time they show us in a penetrating way how we live, how we present ourselves to others, and what we value.

Leisure, consumption and communication are the concepts that this British photographer has been researching for several decades now on his worldwide travels. In the process, he examines national characteristics and international phenomena to find out how valid they are as symbols that will help future generations to understand our cultural peculiarities. Parr enables us to see things that have seemed familiar to us in a completely new way. In this way he creates his own image of society, which allows us to combine an analysis of the visible signs of globalisation with unusual visual experiences. In his photos, Parr juxtaposes specific images with universal ones without resolving the contradictions. Individual characteristics are accepted and eccentricities are treasured.

The themes Parr selects and his inimitable treatment of them set him apart as a photographer whose work involves the creation of extensive series. Part of his unusual strategy is to present and publish the same photos in the context of art photography, in exhibitions and in art books, as well as in the related fields of advertising and journalism. In this way, he transcends the traditional separation of the different types of photography. Thanks to this integrative approach, as well as his style and his choice of themes, he has long served as a model for the younger generation of photographers.

Martin Parr sensitises our subconscious – and once we’ve seen his photographs, we keep on discovering these images over and over again in our daily lives and recognising ourselves within them. The humour in these photographs makes us laugh at ourselves, with a sense of recognition and release.

Thomas Weski, London

To view Martin Parr's CV click here ]

Martin Parr, Last Resort England. New Brighton, 1983–1985, pigment print, 102 x 127cm, 14899

Last Resort England. New Brighton, 1983–1985
pigment print
102 x 127cm
14899

Selected Stock

Martin Parr
Food, 1995
traditional C-type print
4 of 33
18 x 25.5cm
8704

Martin Parr
British Food England. Balckpool, 1995
traditional C-type print
9 of 33
18 x 25.5cm
8713

Martin Parr
Luxury Australia, Melbourne, 2008
pigment print
1 of 10
50.8 x 76.2cm
11980

Martin Parr
Luxury Australia, Melbourne, 2008
pigment print
1 of 10
50.8 x 76.2cm
12011

Martin Parr
Naples, Italy, 2013
pigment print
102 x 152.5cm
18153

Martin Parr
A Taste of Mulhouse, Mulhouse, France, 2015
pigment print
2015
18154

Martin Parr
Hong Kong, Tung Choi Street, Hong Kong, 2013
pigment print
102 x 152.5cm
18155

Martin Parr
Black Country Stories, Norman Soper who won best pot leek at the Sandwell Show, West Bromwhich, England, United Kingdom, 2010
pigment print
152.5 x 102cm
18157

This is a selection only, for further information contact the gallery.